Untitled, 2020

Earth on canvas
30 x 22.2 inches

January 2022

A. BALASUBRAMANIAM

ABOUT THE ARTWORK

Balasubramaniam’s (Bala) artwork depicts the transition and metamorphosis of the human soul in a landscape of memories. By depicting the earth on canvas, the multiple layers of soil represent our soul and self. With the dusky sky casting over the painting, our environment too shapes and forms us. Each layer is a part of the human personality, complex and intriguing. Bala plays with the natural invisible force of the wind in the painting, symbolic of events in our life over which we have no control.

As the winds blow, each layer reveals a new part of us—our spiritual self with sea green reminiscent of wisdom and composure, orange recalling a youthful spirit and the deep-seated red being the foundational love and courage that binds humanity. The artists’s work generally plays with themes of transformation. This painting asks us to let our memories wash by, as the wind blows the sand, revealing layers of self yet to be discovered. We don’t need to compulsively hold on to memories, for they will always be a part of us, a part of the canvas of life.

ABOUT THE ARTIST

Bala is a Tamil Nadu-based sculptor and artist who has been trained in print-making. As a contemporary artist, he explores different ways of seeing the daily, examining the invisible forces of nature and spirituality. He draws the viewer’s attention to the slow build-up of the tangible with memories through the stratification of rocks, the displacing yet curiosity-generating play of the magnetic field and the movement of the wind.

Bala’s artwork is part of prestigious collections across the globe such as the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York, and École des Beaux-Arts, Paris. In 1998 he participated in an artist residency at The MacDowell Colony, and in 2001. he was awarded the Joan Miro Foundation award. He has been a guest lecturer at Cornell University and a speaker at TED. Bala has been featured in articles for Christie’s Daily, The Hindu, and ArtForum. 

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Aditya Novali