The Lunar Line II, 2021

Gold Leaf, ritual pigment, tar on reused silk screen
26.3 x 22.4 x 1.1 inches

September 2022

KIRTIKA KAIN

ABOUT THE ARTWORK

Kirtika Kain’s work portrays the artist’s heritage, memories and identity as a Dalit woman. The title has mythological roots and the piece uses gold and second-hand silk screens—these had been scrapped and erased multiple times before reaching the hands of the artist. Kirtika tells the story of the Dalit people, highlighting notions of purity versus impurity. Under the caste system, many of the rich materials used ritually were forbidden to the Dalit community. Kirtika reclaims these materials, redefining the narrative of a Dalit artist, she celebrates her culture with passion—rather than focussing on victimhood. This is a work about freedom, joy and pride.

Her intuitive and powerful iconography highlights the experiences of the diaspora and female voices, in spaces that were considered elite and had marginalised the community, even within the fine arts. A key theme in this artwork is labour and the division of labour under the caste system, which explains the problematic ideas of purity and impurity. By mixing sacred elements like gold and ritual pigments with tar, she recalls the history of untouchability associated with Dalits. The more you look at the work, the more intricate, complicated yet sophisticated it looks with its contortions, layers and scrapes—symbolic of the desired caste consciousness Kirtika wants to evoke. The complex, tesseract structure of sub-caste groups in the Hindu system makes political consciousness difficult but, as the artist says, “Art is a container for the history we’ve inherited,  and gives us the freedom to redefine, to see and celebrate ourselves.”

Kirtika’s work was shown at Ahāra—a contemporary Indian restaurant in Singapore—serving as a continual reminder of the scarcity that is an overwhelming and significant part of the Dalit experience. The hope was to encourage diners to reflect on their privilege, consumption and the imbalance of the availability of resources. According to some, the word Dalit means “of the soil” or “of the Earth” and the painting embraces the idea of being mindful of a community through the art and food we enjoy, which comes from the earth.

ABOUT THE ARTIST

Kirtika Kain is a Sydney-based artist, who has done her Masters in Fine Arts from National Art School, Sydney (2018). Her artwork expresses her identity and experiences as a Dalit woman, navigating inherited narratives to bring forth an aesthetic highlighting corporeality and historical pain. Her practice brings fresh and new iconography to the Indian contemporary art scene by reclaiming parts of Dalit culture and identity that have been stolen and forbidden. By utilising mediums such as tar, gold, charcoal and vermillion, Kirtika reclaims these materials which have a heavy political and religious charge for upper caste Hindus. Labour and feminine experience is gracefully tied to her oeuvre, to showcase the holistic and multidimensional Dalit identity. 

Kirtika has collaborated with various Dalit artists and thinkers in her group exhibitions which have been displayed globally including Oyoun, Berlin (2022), African Biennale of Photography, Mali (2022) and the 24th Biennale of Sydney (2024). The international art community has celebrated and acknowledged her talent— she received the Lloyd Rees Memorial Youth Award (2017), the Blacktown Art Prize (2017,2019) and the Art Incubator Grant. She has completed residencies at the British School, Rome (2019), the Amant Siena Summer Residency (2022) and the Onslow Storrier La Citè Internationale Des Arts Paris Residency, Paris (2023).

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